The total space of painting

 

Mariella Bettineschi founds spatial microcosms, thickened all on the canvas passed and crossed by the alacre hand of the artist who leaves no part discovered, taken from the vertigo of horror vacui, of baroque cultural ancestry. Being baroque does not mean being rhetorical and emphatic, but instead loads of returns of the hand in the same point of the space, a fast obsession that continuously travels its own itinerary and its own trajectory.

The total space of painting, Achille Bonito Oliva, 1987

 

 

 

 

The broken limit, 1990
board, tar, plaster, 260x170x8 cm

 

 

The broken limit, 1990
board, tar, plaster, 260x170x8 cm

 

The total space of painting, Achille Bonito Oliva, 1987

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